Jill Kerttula
  • Home
  • Art Work Info
    • Old News & Musings
    • Ceramics
    • Fiber Art >
      • Process & Videos
    • Drawing & Painting >
      • 2014 Daily photo
      • 100 day project
    • Photography
  • CONTACT & ARTIST INFO
    • RESUME
    • ARTIST STATEMENT

More on Artistic Balance

1/17/2014

3 Comments

 
Picture
This is my favorite portrait of me. It was drawn by my 5 year old grandson. Try as I may, I do not think I could, after years of artistic studies, draw anything that would so succinctly capture my essence. In case of fire, it is my son Lanny's drawing, (shown on the right) done at age 5, that I would grab first.

Picture
There is something exceptionally wonderful about art that is made for no purpose other than the urge to make it. Art that is free of theory or market. Art that is driven only by compulsion. To a great extent that  is the very definition of art for many. Most artists would fear insanity if they were somehow not able to make art. I know I would be very twitchy! But somehow when one starts studying art, or showing our art, we become conscience of the audience and posterity and some purity is lost. However, saying that, I also must admit, that every painter should know color theory. Photographers should understand the numbers on their lenses, and potters need to know what will happen when the clay gets fired. To think that you can freely express yourself, while fighting with your media is daft. It is finding the middle ground, where expression is enhanced by knowledge and not inhibited by it, that is sometimes an issue.

When I was in grad school (actually not that long ago, because I was a "non-traditional" -i.e. old- grad student)
, I learned a great lesson from one of my younger colleagues. We were in a print class critique, and I was presenting my work and droning on about color, and process, with a few gems regarding composition thrown into the presentation. Suddenly, he said "I am so !#@%! sick of hearing about all that, just make art!". Well as someone who at that time was teaching design and color, I was initially offended, but then thought about it.

I had thought of his process as "monkey art" - you know, the old 'if you put 10,000 monkeys at a typewriter, sooner or later they will write Shakespeare' type of creation. I had seen him in the studio - music cranked, ink flying, paper grabbed, seemingly without intent. It was a Friday, so over the weekend I went to the studio, cranked up the music, let the ink fly and grabbed endless sheets of whatever paper was there... It was bliss. Complete indulgent, unabashed bliss.

On Monday, I thanked him for reminding me about the art urge.

PictureArtist Unidentified, Interned at Heart Mountain, Wyoming, Camp Scene, Wood, paint, Collection of the Japanese American Museum of San José, From "Art of Gaman" by Delphine Hirasuna, ©2005, Ten Speed. Terry Heffernan photo.



I saw a exhibit not long ago. Beyond being one of the most moving exhibits I had ever seen, because of the circumstances under which the art happened, it is a great example of this long continuity of art genesis... of art made of pure expression by amateurs, through technically perfect art that also speaks volumes. It was the exhibit The Art of Gaman: Arts and Crafts from the Japanese American Internment Camps, 1942-1946 at the Smithsonian. click on the title, and take a look at this exhibit and see what I mean. It is art that was made because the maker HAD to make it. It is art for solace. It is art for entertainment. It is art for therapy. It is art made from whatever was on hand. It is art for and by the soul.
3 Comments

making my living vs making my art

1/16/2014

0 Comments

 
PictureMan with the Cat (Henry Sturgis Drinker) (1898) by Cecilia Beaux Smithsonian American Art Museum [public domain photo]


I can be stunned by a Degas composition of the millinery shop every time I go to The Chicago Art institute; I can be equally as thrilled by Wayne Thiebaud's color usage; Or the statements made by many modern artists.  Each has their time, place and mood and context of origin. My reaction to the artifact may have little or nothing to do with the artists experience or intent.

Many people stand in front of the Millinery Shop, and each have their own reason for enjoying the view (or not!). I see color theory and composition that is utterly amazing. Others may see a tender moment. others may see a historic representation of hats! Who is to say which is "right". Would Degas care, or once he was done with his experiment/experience, was his need to create it satisfied.
Like everything else in life, there are many dimensions to that which we call art. There is the technical prowess of the draftsmanship, the virtuosity with which the media is manipulated, the visual representation of the subject matter, the commentary, the color theory, and so much more. Like with food, our enjoyment of and requirement for art will vary with which of these we choose to focus on or need at any given time, as well as our own personal history and knowledge..

Once again I am reminded of an anecdote [says the wizened old woman]. I have a friend who is the most knowledgeable person I know about art history. I came home from a visit to the Smithsonian Art Museums one time, and he asked me "What was you favorite painting there?" I replied "Man with the Cat, by Cecilia Beaux." My good buddy then went ballistic. He could not understand how, with the presence of Rembrant and Vermeer there, I could give that answer. My reasoning was he asked for my "favorite", which in my mind, deserves a gut-level emotional response. He did not ask me which I thought was the "technically best", or "compositionally perfect". And while Vermeer can bring me to tears, it is because I am blown away by virtuosity, not emotional response.
Picture
The Millinery Shop, 1885, Edgar Degas, The Art Institute of Chicago [public domain]
So, as I see it "art" is twofold. There is the artistic experience of making, and the art experience of viewing. The ratio or import of each will vary. The correlation between the artist's experience and the viewer's experience may be incidental or profound. As a graphic designer, there is a wealth of experience as you work to make both concept and marketing goal work while combining a multitude of design and color theories. The result is a very transient artifact, that will most often not be appreciated for its aesthetics - even though they are the reason it works or not! The experience of making the ad may be profound to the designer, but [conscientiously] inconsequential to the viewer. While I may choose five different fabrics to make into a sweater and spend a lot of time making sure the textures and weights work together, the buyer may love the comfort and the fact it matches their new jeans. That does nothing to lessen my experience during the creation.

Some of my favorite forms of art are folk art or naive art or kids art. Art that is made because the artist had to get it out.
Tomorrow I will talk a bit more about that.
0 Comments

Posterity vs. Practice or how Mr. olson really ticked us off.

1/15/2014

2 Comments

 
Picture
By Rembrandt Harmenszoon van Rijn (1606 - 1669) (Dutch) [Public domain]
When I was in art school I had an experience I think about often. Truth be told,  I had several - it was 1969+ after all- but this one was an art related one.

We had a life drawing class. For those non-artists out there, figure drawing is an almost sacrosanct activity. It is steeped in centuries of artists using the human form to learn all there is about structure and technique. It is filled with solemnity and seriousness with each student trying to portray both structure and chiaroscuro with perfection.

The professor that I had, preferred the short pose. Poses that last only minutes - sometimes seconds - and the aim is to capture the essence of the pose. Of course, we students grumbled because perfection is unobtainable in minutes. One day, he announced that we would have all class on one pose. This was unheard of, and we all knew this would be our day of perfection. We prepared our charcoals and stumps, readied our pencils and chose the "good" paper so the drawing would last for the ages.
Then, as we left class, Mr. Olson took our drawings and promptly torn them up and threw them away.
We were hurt, and furious, and very confused. He then sat us all back down and asked us a questions. "What do you remember about the experience of making that drawing? What did you learn or take away from the activity that will serve you tomorrow."

The truth was that most of us were so concerned about making "good art" that we had reverted back to things we already knew; our safety zones. We had not pushed ourselves. We were so concerned about the end artifact that we forgot to experience the activity. 
Picture
By Thomas Rowlandson (1756–1827) and Augustus Charles Pugin (1762–1832) (after) John Bluck (fl. 1791–1819), Joseph Constantine Stadler (fl. 1780–1812), Thomas Sutherland (1785–1838), J. Hill, and Harraden (aquatint engravers)[1] [Public domain
For me, that was a very meaningful experience. We often hear things like 'be in the moment' or 'learn from experience', etc. but this was more than that for me. It explained the difference between the personal experience of art and the public artifact of art. At times they coincide, but many times they are quite separate events. I may have a total 'artgasm' experience while creating something, but the final artifact may not move anyone else. One the other hand, an artifact may be created with a rote hand and is beloved by the masses.

This is why there is both a huge universe of that which we call art, and why art is undefinable. Is it the making or the made. Is it enough for it to be personal growth, or must it be communicative? Those answers probably differ as much as the art created by each artist. That is the wonderment of it all. That is the angst of it all. That is the core of it all.

For me (and I do mean "for me" - not "how it should be"), it is the experience. I have never made art with a conscience effort to change the world, or even one single mind. I have no want to be validated through gallery sales or fame. It is enough to feel the well up of the creative force and the visceral relief when it escapes from me. Whether it is then enjoyed by others is both a bonus and a wonderment, but never a necessity.

The above assertion may seem either contradictory, or a bit of downright hypocrisy, coming from someone who has made their living based on their creative endeavors for almost four decades, so tomorrow I will address that. Stay tuned!
2 Comments

Originality and Respect

1/9/2014

3 Comments

 
Picture
A few days ago, I posted this photo on my Facebook page. It shows how Etsy - which was a unique outlet for handcrafters and artists - has become an outlet for mass producers. I need to acknowledge that they are not alone in this trend or the trend of the non-original idea. 

To be really fair, I also have to say it occurs in both camps - the makers and the manufacturers. For every manufacturer that rips off a design or idea from an artist, there is a maker capitalizing on Dr. Who, Disney or Hello Kitty on their site. I find both practices equally as abhorrent. 

Has the internet made ownership so fleeting and piracy so easy that it is now the "norm". In just the last month, besides the continuing Etsy issues,  I have had two other very personal events that bring this all close to home, and make me angry! 

What has happened to originality and respect? 


The saga of the boots....
I had been drooling over UGG boots for a while. I had been to their site often, and was waiting to see if any would go on sale around the holidays. Of course, that meant that my Facebook page was now regularly plastered with boot ads. One day one appeared for UGG boots on 30% off. YIPEE. it was "officialUGGonline.com" so I went there. sure enough it was the UGG site - the same one as I had seen many times before, but with "sale" banners! So I ordered some boots. SCORE! 

I bragged about this to an on-line group and another person went there and came back to tell me that when she went to pay she noticed something fishy. I checked my Credit Card, and saw the charge was NOT from UGG, but from "EnjoyShoppingCenter, Beijing China". Turns out they had cloned the UGG site and were selling counterfeits. I confirmed this with UGG and called my credit card company. They said they had had MANY such calls and the counterfeiters were on-line in full force during the holiday season. All is now settled, and my CC company has been fantastic. But UGH!
And now to today's story...
Picture
Picture
My niece is a very talented knitter and designer. Last year she came up with these great and intricate items on the left. She has the pattern available on ravelry and Etsy (see Wattsolak.com).

So guess what? They are now (in a very inferior design) at Target. BAM!

This is certainly not the first I have heard of this. A fellow artist at a show once told me about a friend who so proudly sold some one of her Artisan clocks to a Target exec at a show in Minneapolis, only to see the same thing on sale at target a few months later - made in China and selling for $18.99 or so! And the same can be said for Anthropology, Urban Outfitters and so many more stores. 
I am not naive enough to think this will stop, but it still ticks me off! Globalization makes enforcement of copyright almost impossible. I also know that sometimes the same idea happens two places at the same time. BUT I am also old enough to remember when product design and development involved hiring someone to research and come up with original ideas for the marketplace. Many of those jobs have virtually disappeared (pun intended) as the internet makes searching and stealing so much easier and cheaper. 

I grant you that I am becoming a crotchety old woman. I will also grant you that with all technological advances come challenges. But if we as citizenry do not require better of ourselves and our society, we get what we deserve. We can not all do the right thing all the time every day, but think about it the next time you get a "deal" or create something base on another's idea. The line is fine sometimes, but when you can see it try not to cross it. 

Steps off soapbox for a cup of coffee.
3 Comments
Forward>>

    Categories

    All
    Art: Jill2day Garments
    Art: My Fiber Art
    Art: My Photography
    Art: Shows And Exhibits
    Art: Thoughts And Opinions
    Awards
    Family Time
    Locale: Charlottesville
    Locale: On The Road
    Locale: Smoky Mountain Residency
    Locale: The McGuffey
    Locale: Virginia
    Locale: Washington DC
    Locale: Wisconsin
    Misc: Musings
    Nature: Flora And Fauna
    Nature: Weather

    RSS Feed

    Archives

    January 2022
    November 2021
    May 2021
    April 2021
    March 2021
    February 2021
    January 2021
    December 2020
    November 2020
    October 2020
    September 2020
    July 2020
    November 2019
    May 2019
    March 2019
    September 2018
    March 2018
    January 2016
    December 2015
    November 2015
    October 2015
    September 2015
    May 2015
    April 2015
    March 2015
    January 2015
    December 2014
    November 2014
    October 2014
    August 2014
    July 2014
    June 2014
    May 2014
    April 2014
    March 2014
    February 2014
    January 2014
    December 2013

    If you are really into history, click here for blog posts prior to 2014 !

​© 2025 Jill Kerttula..
​All rights reserved

HOME

ARTWORKS

CONTACT & ARTIST INFO



  • Home
  • Art Work Info
    • Old News & Musings
    • Ceramics
    • Fiber Art >
      • Process & Videos
    • Drawing & Painting >
      • 2014 Daily photo
      • 100 day project
    • Photography
  • CONTACT & ARTIST INFO
    • RESUME
    • ARTIST STATEMENT