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People often ask me about how much planning goes into one of my pieces. There is a lot of forethought in choosing images, auditioning fabrics, yarns and threads, deciding if there needs to be underlayers to allow cutting through, etc, etc. For me what is equally important is the constant reevaluation that happens as the piece evolves.
It is not always possible to know what will happen at final size, or with the final elements. The above is just one example ( a pretty extreme one though!) of what happened recently. I thought I had a composition worked out (left image) but at full size is was too ambiguous and had a large unresolved area in the center. I thought that adding a third element would solve that and also create more depth. As it hung in my studio, I became less and less satisfied with the result both in composition and in Subject matter. The looming large head became either "big brother" or "godlike" as I looked at it. Neither of those were my intent. So out cane the rotary cutter. I was much happier when the top was cut away and the right to left directional flow was more dominant .
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To see videos about my interviews, and processes Fiber ArtFor about ten years now, I have been a full-time fiber artist. My subjects reflect a poignant moment of time and my reaction to that moment. This work is a combination of photography; “what” I see, and my handwork; “how” I see. My camera records the facts of the moment while the fabric and stitching add the focus, texture, and emotion to the scene. To see about my art prior to 2023 Categories |
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© 2025 Jill Kerttula..
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